
I. Peer-Reviewed Publications
(Upcoming) “From Philosophy to Practice: A Culturally-Informed Ethics of Music AI in Asia,” in Artificial Intelligence & the Music Ecosystem (2022), Routledge UK
“De-centering the West: East Asian Philosophies and the Ethics of Applying Artificial Intelligence to Music,” in Proceedings of the 22nd International Society for Music Information Retrieval Conference, Online, Rujing Huang, Bob L. T. Sturm, Andre Holzapfel, 2021 (Nominated for Best Paper)
“Reframing ‘Aura’: Authenticity in the Application of Ai to Irish Traditional Music,” in Proceedings of
the 2nd Conference on AI Music Creativity (AIMC), Rujing Huang and Bob L. T. Sturm, 2021
“‘A Theory of Our Own’: Reconstructing National Scales in the Chinese Yayue Revival” (2020),
Naxos Musicology International, Naxos Music Library
II. Dissertation
“Sound of Elegance”: Court Music Revival, Ritual, and the Politics of Nationhood in China Today (2019)
Department of Music, Harvard University
(Advisory Committee: Kay Kaufman Shelemay, Michael Puett, Ingrid T. Monson, Alexander Rehding)
III. Academic Blogs
“Re-harmonizing China: Dissonant Tone Clusters, a Consonant Nation” (2018)
Medium, Fairbank Center for Chinese Studies
(article available online)
“Storms in Chang-an: On the Music Debate of Kai-huang Period” (2018)
History of Music Theory
(article available online)
IV. Words, Lyrics, Poetry
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